Bokeh Like a Boss – Using the Bokeh Control Ring on the New Petzval 58, you’re totally free to determine the strength of the swirly bokeh in your photos. You can now get the characteristic swirly bokeh effect in ways it has NEVER been possible before. This revolutionary component is the first of its kind on a Petzval lens!
Showing posts with label digital camera. Show all posts
Showing posts with label digital camera. Show all posts
Sunday, May 31, 2015
Tuesday, December 30, 2014
Lara Jade, Cheap Camera Challenge
Featuring Lara Jade - world-renown fashion photographer - takes on the cheap camera challenge...we have a professional mode, haute couture clothing and a makeup artist...but we've taken the camera cheapness to a whole new level! The An Pan Man camera (Bread Superman camera) has a stunning 0.3-megapixels and awful features. Add that to the fact that Lara is only in Hong Kong for a layover - she has 6-hours to get 6 different images from 3 different looks - and we have an epic-fashion-photoshoot-on-the-cheap challenge!
Lara Jade on Twitter: https://twitter.com/LaraJade_
Part of the "Pro Tog, Cheap Camera Challenge" series. Pro photographers from around the world take on the challenge to use one cheap camera to produce some creative stuff. But just what will happen?
Image Credits:
Image “Top of Rock Cropped” by Wikimedia user “Dschwen” (CC BY-SA 3.0)
Image “Hongkong Evening Skyline” by Wikimedia user "Roy Niekerk” (CC BY-SA 2.5)
Image “London Skyline” by Wikimedia user “Mewiki” (CC BY-SA 3.0)
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Thursday, December 18, 2014
Phase One Delivers A-series cameras - for the Fine Art of Photography
Phase One today begins shipping the first A-series medium format camera systems. Blending the best of Phase One and ALPA technology through highly-integrated precision components, these cameras are designed to capture outstanding images with greater ease, convenience, and fun.
The three Phase One A-series models include the A250, A260 and A280. They are based on the ALPA 12TC mirrorless camera body, plus a Phase One medium format IQ2 Aseries digital back -- the 50 megapixel CMOS-based IQ250; the long-exposure-capable 60 megapixel, full frame IQ260; or the highest-resolution 80 megapixel full frame IQ280. Each model comes with the 35mm Rodenstock Alpar lens. There are two optional lenses available, including the ultra-wide 23mm, and the all-round 70mm, ALPA HR Alpagon, both offering perfect edge-to-edge sharpness and the ability to resolve full frame medium format sensors.
Exclusive to the Phase One A-series are the models' factory configured in-camera lens calibrations, making the need to create and apply color cast correction profiles (LCCs) optional. One can simply attach an A-series lens and start shooting.
A-series features:
- The three A-series Rodenstock Alpagon/Alpar lens profiles are factory calibrated, configured and preloaded on the new IQ2 A-series digital backs to get the most out of each medium format sensor. Using the new firmware and A-series camera mode, photographers simply select the lens used and corrections are then automatically processed in camera and when importing to Capture One Pro 8.1.
- A new version of Capture Pilot permits checking the selected A-lens directly from an iOS device. Once images are captured, they are wirelessly displayed in Capture Pilot, to validate focus, exposure and composition.
- The A250 can stream Live View wirelessly to ease focusing and composition. With the ALPA smart device holder, one can mount both iPhones and iPads directly on the camera.
- Each model is serviced as a complete system, with a 5-year warranty. For optimal raw processing and image editing, the Phase One A-Series systems ship with Capture One Pro 8.1 as well as Capture Pilot 1.8 for remote viewing. Camera accessories include: release cables, lens shades, straps, covers, a special A-series transport case designed by F-Stop Gear, and an iPhone and iPad holder to attach devices in waist-level mode.
Monday, December 15, 2014
Setting Up The Shot - Miranda Off the Shoulder
Camera - Nikon D300
Lens - Nikon 50mm f/1.8G AF-S
Exposure - 1/250 @ f/9
Focal Length - 50mm
Lighting - Nikon SB-700
Light Modifier(s) - 43" Optical White Satin with Removable Cover Collapsible Umbrella
Trigger - Nikon SU-800
This is one of my typical one light set ups. I used a 43" Optical White Satin with Removable Cover Collapsible Umbrella high to camera left to let the light fall off on the opposite side of her face. To help with some separation from the background I feathered the light to give just a hint of light to the background to give it a slightly different tone. I had the subject move away from the wall in order to get just the right amount of light on the back ground.
Lens - Nikon 50mm f/1.8G AF-S
Exposure - 1/250 @ f/9
Focal Length - 50mm
Lighting - Nikon SB-700
Light Modifier(s) - 43" Optical White Satin with Removable Cover Collapsible Umbrella
Trigger - Nikon SU-800
This is one of my typical one light set ups. I used a 43" Optical White Satin with Removable Cover Collapsible Umbrella high to camera left to let the light fall off on the opposite side of her face. To help with some separation from the background I feathered the light to give just a hint of light to the background to give it a slightly different tone. I had the subject move away from the wall in order to get just the right amount of light on the back ground.
Friday, December 12, 2014
Camera Raw 8.7.1 is now available
Camera Raw 8.7.1 is now available as a final release for Photoshop CS6 and Photoshop CC. This release includes support for the Sony ILCE-A7M2 and also includes a bug fix related to support for the Samsung NX1 camera. DNG Converter 8.7.1 is provided for customers using versions of Photoshop older than Photoshop CS6.
As mentioned here, updates to Camera Raw 8 for Photoshop CS6 only include new camera support, lens profile support, and bug fixes. The new features listed in the release notes are only available in Photoshop CC.
Release Notes
New Camera Support in Camera Raw 8.7.1
- Sony ILCE-A7M2
| Mount | Name |
| Canon EF | Canon EF 24-105mm f/3.5-5.6 IS STM |
| Canon EF | Canon EF-S 24mm f/2.8 STM |
| Canon EF | Tokina AT-X 12-28 F4 PRO DX |
| Leica M | Zeiss Distagon T* 1,4/35 ZM |
| Nikon F | Tokina AT-X 12-28 F4 PRO DX |
| Nikon F | Tokina AT-X 70-200mm F4 PRO FX VCM-S |
| Sony Alpha | Tokina AT-X 166 PRO DX II 11-16 F2.8 |
- Fixed issues with chromatic aberration specific to the Samsung NX1.
http://helpx.adobe.com/x-productkb/multi/camera-raw-plug-in-installer.html
Download Links
DNG Converter 8.7
Thursday, December 11, 2014
Phottix Updates
Hello Phottix Friends
The end of the year is drawing near and Phottix has some hot deals in the newly revamped Phottixstore.com. From now until December 31, 2014, receive 10% off everything atPhottixstore.com by using the code XMAS2014 at checkout.
What New? Phottix Mitros and Mitros+ Flashes for Sony (ISO Shoe)
Features
- GN: 58 Sony-Compatible TTL Flash
- Built-in: Phottix Odin Transmitter and Receiver, and Strato II Receiver
- Sony-compatible Master/Slave IR Triggering Modes
- High Speed Sync
- AF Assist Light
- External Battery Port, 3.5mm Sync Port
- Quick Flash Mode

Speaking of the Photix Mitros and Phottix Odin - I spy my little eye celebrity photographer Matthew Jordan Smith shooting with both Phottix products in a video recently released by Gary Fong.
Now in Silver - A New Phottix Luna Beauty Dish
The Phottix series of Luna Beauty Dishes and Softboxes have been very popular. We're adding a newsilver interior 85cm Phottix Luna Beauty Dish to the line-up. Silver beauty dishes add more contrast and "pop" to an image and are great for fashion photography.With Luna interchangeable speed rings (Bowens mount included), the Luna series modifiers can be used on many different studio lights, or with the Phottix Mitros series flashes when combined with the Phottix HS Speed Mount II.
Jump over to the Phottix Online Store for more details. Use codeXMAS2014 at checkout to save 10% on your holiday orders.
Phottix VLED Video Lights Available
The Phottix VLED Video Lightare available in three sizes, with 168, 198 or 260 LEDs these are the perfect continuous lighting solution for video cameras or DSLRs. With the included battery adapters, popular camera batteries from Canon, Nikon, Panasonic and Sony can be used to power the VLED. The VLEDs can be combined vertically or horizontally to create larger banks of light.Output Specs
VLED 168, Output: 1050 Lumens
VLED 198, Output: 1250 Lumens
VLED 260, Output: 1600 Lumens
Jump over to the Phottix Online Store for more details. Use codeXMAS2014 at checkout to save 10% on your holiday orders.
Phottix Varos H-Mount Plate and StrapMounting flashes by the hot shoe can cause some issues. When using umbrellas the light from a vertical flash does not hit the center of the umbrella as it is much taller. This cuts down on the effectiveness of the umbrellas as a lighting modifier.
Phottix comes to the rescue with the new Phottix Varos H-Mount Plate and Strap. Using this kit with a Phottix Varos Umbrella Adapter allows flashes to be mounted horizontally, more in line with the center of a reflective or shoot through umbrella. Included are the H-Mount Plate and Velcro Strap, a 3/4" lug threaded in 1/4x20 and 3/8" and a locking ring.
Jump over to the Phottix Online Store for more details. Use codeXMAS2014 at checkout to save 10% on your holiday orders.
Phottix Hot Shoe Gel SetUsing gels with hot shoe flashes can be challenging. How can you attach them? With Velcro tabs or gaffer tape or some other inelegant contraption.
Enter the Phottix Hot Shoe Gel Set. This set includes a plastic gel mounting bracket that easily attached to most hot shoe flash heads using a Velcro strip. Easy use any of the 30 included gels with hot shoe flashes. The black/silver attachment can be used a barndoor/flag or a bounce card.
Jump over to the Phottix Online Store for more details. Use codeXMAS2014 at checkout to save 10% on your holiday orders.
Connect with Phottix
- Follow us on Twitter
- Connect with us on flickr and join the Phottix Photos Group
Thursday, December 4, 2014
Mixing it up with Manual focus.
To get these lenses to work with any DSLR camera all you need is an adapter ring. I got mine for about twenty dollars on eBay. There are a few different versions of the M42 lens adapters. The one that I picked up is the most simple version. It is one machined piece of metal with a Nikon F mount on one side and then a threaded 42mm female thread in the front center of the adapter ring.
There is only one issue with this set up and that is some of the lenses cannot focus as close as they were designed to on film camera. To overcome this I bought a set of three macro ring adapters. They work by putting the lens farther away from the sensor and increase the minimum focus distance. This works brilliantly and as they are only machined aluminum they too cost next to nothing on eBay.
Most newer higher end cameras will allow you to place manual focus lenses onto their bodies with an appropriate adapter. You will control the aperture manually but most camera functions will work without a problem. On my Nikon cameras TTL will also function with out any problems.
The focus lock light will also work with this set up on most higher end Nikon camera. It is incredibly helpful to make sure that you have your focus correct and as sharp as possible. Just make sure that you check your camera's manual to make sure that it is a supported function with manual focus lenses mounted.
Using macro extension rings with your M42 lenses will allow you to get into macro photography with out the cost of buying a macro lens. Just make sure that you have a good sturdy tripod to keep everything steady. This situation would also benefit by using your camera timer to trip the shutter or any other method of remote triggering your shutter.
By using some old M42 screw mount manual focus lenses on your DSLR you will have a very inexpensive way to freshen up the way that you shoot and have more lens options in your bag.
Wednesday, December 3, 2014
Think Tank Perception backpacks for Mirrorless systems and Holiday Specials
Think Tank Photo just announced that its new Perception backpacks for Mirrorless systems are now available. The Perception series comes in two colors, black and taupe, and three sizes. The smallest size, The Perception Tablet™, accommodates a Mirrorless system and an iPad Mini. The largest size, the Perception Pro™, holds a 15" laptop and a 10" tablet, plus one Mirrorless body or small DSLR with a small to medium zoom attached (lens hood reversed). Plus, the largest size fits four to five more lenses or a large GoPro® kit.
In addition, Think Tank is offering holiday specials on two of its most innovative products. You will save 30% on its My 2nd Brain “mobile office” bags for Apple laptops and iPads and 20% on its Suburban Disguise full-featured shoulder bag specifically designed to accommodate standard-size DSLR systems.
In addition, Think Tank is offering holiday specials on two of its most innovative products. You will save 30% on its My 2nd Brain “mobile office” bags for Apple laptops and iPads and 20% on its Suburban Disguise full-featured shoulder bag specifically designed to accommodate standard-size DSLR systems.
Tuesday, December 2, 2014
Flash Facts - TTL Cords
These lower priced units normally do not offer off camera High Speed Sync functions but they are are capable of High Speed Sync when mounted on camera. So, what can you do to take these flash units off camera and still retain the High Speed Sync function? That’s right: use a TTL cord!
When using a TTL cord the flash is essentially still directly connected to the camera and will function just like it is still sitting on the camera body. Thus you will be able to use High Speed Sync with a TTL cord.
Theses TTL cords come in varying lengths from three feet to over twenty feet. If you need to you can also couple them together for longer lengths. If you are shooting an event one well used trick is to use a short TTL cord to connect your camera and flash and then hold the flash in one hand off of your camera to add some depth to your event lighting.
Another great use is with the longer cords. The flash end of the TTL cord will often have a ¼ x 20 thread on the underside of it so that it can be threaded onto a light stand or umbrella/softbox mounting bracket. With a long enough cord you are able to have your flash way off camera and still maintain all camera/flash communications.
With an affordable price, small profile, and large functionality for your flashes, TTL cords are a staple in my kit and an item that photographers should carry with them.
Sunday, November 30, 2014
A note to manufacturers about batteries.
Just about every photographer on the planet that uses small flash units carries one type of battery with them at all times: AA’s. It can be frustrating to keep on hand a stock of several different size batteries let alone having your kit fully stocked with different sizes. Call me lazy but I want to keep things as simple as possible and use one style of power cell.
I think that there are many photography product companies out there today that are just missing the mark with their products by just one point, and that is the type of batteries their devices are powered by.
I understand the need and desire to produce products that are as compact and portable as possible, but I do not think that any photographer on the planet would object to increasing the size of said product to accommodate AA batteries.
It drives me completely batty having to carry multiple types of batteries with me. So, manufacturing companies let’s just pretend that AAA, CR123a, Coin, and any other size batteries that you can think of just do not exist. There are only AA batteries.
Thursday, November 27, 2014
Sony announces Alpha 7 II in the US
Sony Electronics, a worldwide leader in digital imaging, has today introduced another exciting addition to its full-frame α7 lineup, the α7II camera (model ILCE-7M2).
The new mirrorless model is the world’s first full-frame camera to feature 5-axis image stabilization1, allowing it to compensate for camera movement in five different directions to produce extremely sharp handheld images. The α7II camera is equipped with a 24.3 effective megapixel 35mm full-frame sensor, and adds 30% faster AF responsiveness, enriched video shooting capabilities, redesigned ergonomics and more.
“The new α7II is simply the latest example of the impressive innovation we’re bringing to the industry, particularly in the mirrorless space” said Neal Manowitz, director of the α interchangeable lens camera business at Sony. “We’re continuing to push the boundaries of what can be accomplished with a full-frame sensor, consistently delivering ‘world’s first’ technologies that no other cameras – DSLR or otherwise - can accomplish.”
New Image Stabilization Technology
The innovative 5-axis image stabilization on the new α7II detects and corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) that tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects shots at night or when recording video. The 24.3 MP full frame sensor moves to accommodate all of these types of shake, with stabilization equivalent to up to 4.5 steps faster shutter speed of correction2.
Additionally, the 5-axis stabilization works cooperatively with Sony α lenses with optical steady shot (OSS) to provide maximum stabilization and clarity, while also performing admirably with Sony α A-mount lenses and third party lenses3 without on-board stabilization. Effects of the stabilization can be previewed via live-view on the LCD or OLED viewfinder of the camera.
Speedy, Accurate Autofocus with Hybrid AF
The new α7II employs a 117-point focal plane phase detection AF sensor with 25 contrast detection AF points, with approximately 30% faster AF responsiveness and 1.5 times more accurate subject tracking than the original α7 model4 thanks to a series of new algorithms for detecting subject distance and predicting motion. Additionally, AF and now automatic exposure (AE) is provided while tracking subjects during high-speed continuous shooting at up to 5 fps.
Enriched HD Video Functionality
The new full-frame camera shares the powerful BIONZ X image processing engine with several other high-end Sony cameras, and adds a variety of advanced video functionality including the addition of XAVC S5 codec, which records video at a high data rate of 50 Mbps with advanced compression for impressive video quality.
For the professional and prosumer customers, the α7II adds picture profiles for convenient in-camera tone adjustments and supports the S-Log2 gamma function which preserves a wide dynamic range. It also includes Time Code (useful for editing), Rec Control (for synced recording with external recorder) and dual video recording.
Design, Controls, Wi-Fi® and New Accessories
Ergonomically, compared to the original α7, the α7II model has a larger shutter button that has been moved closer to the front of the camera for optimal finger position. It is constructed with sturdy magnesium alloy on the top, front cover and internal panels for a sturdier, more solid feel in the hand, and boasts about a 40% faster start-up time compared to the α7 camera.
The new α7II camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories application available for Android™ and iOS platforms. New accessories designed for use with the new α7II include the VG-C2EM vertical grip and LCS-ELCB soft carrying case.
New α A-Mount 70-300mm F4.5 – F5.6 G SSMII Telephoto Zoom Lens
Sony has also introduced a new telephoto zoom lens for it’s α A-mount line, the 70-300mm F4.5 – F5.6 G SSMII (model SAL70300G2). Ideal for outdoor sports and wildlife photography as well as tightly cropped portraits, the lens features approximately 4x faster AF tracking than the current lens model 70-300mm F4.5 – F5.6 G SSM. It also has Nano AR coating to minimize flare and ghosting and improve rendering, and is dust and moisture resistant.
Successors to the α A-Mount 24-70mm F2.8 ZEISS and 16-35mm F2.8 ZEISS
Sony has also announced the development of the α A-Mount Vario-Sonnar T* 24-70mm F2.8 ZA SSM II and the Vario-Sonnar T* 16-35mm F2.8 ZA SSM II lenses. The second generation of these acclaimed lenses will improve upon the speed of AF tracking, reduce flare and ghosting and incorporate a dust and moisture resistant design.
Pricing and Availability
The Sony α7II full-frame mirrorless interchangeable lens camera will be available beginning on December 9th as body-only for about $1700, or as a kit with the 28-70mm F3.5 – F5.6 OSS zoom lens (model SEL2870) for about $2000.
The new 70-300mm F4.5 – F5.6 G SSM II telephoto zoom lens for α A-mount cameras will be available for about $1150 in February 2015.
Pricing for the Vario-Sonnar T* 24-70mm F2.8 ZA SSM II and the Vario-Sonnar T* 16-35mm F2.8 ZA SSM II lenses has not yet been determined, however target ship timing is Spring 2015.
Among 35 mm full-frame interchangeable-lens cameras, according to Sony research as of November 2014.
Based on CIPA standards. Compensates for angular shake (pitch and yaw). Measured using a Sonnar T* FE 55mm F1.8 ZA lens, with long exposure noise reduction off.
Some lenses are not compatible with 5-axis image stabilization.
Compared to the α7. Based on Sony’s internal metrics.
An SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording.
Wednesday, November 26, 2014
RadioPopper Photogenic Receiver
The Photogenic Receiver allows remote triggering and remote power control of most Photogenic brand lights. Simply attach the RP Photogenic Receiver to the port on the bottom of your Photogenic light and you're all set. The Photogenic Receiver is powered directly from the light and requires no batteries. The Photogenic Receiver is configured using a digital display on the front of the receiver.
-No batteries required
-Stop accurate power control
-Assigned to one of 4 groups/zones
-Supports all 16 RadioPopper channels
The Photogenic Receiver works with all PowerLight and Solair series Photogenic lights except those lights with manual sliders at the rear.
A Jr2 Transmitter is required to control power levels of the attached Photogenic light, though it may be triggered by any RadioPopper transmitter (Jr2, PX, JrX, Nano).
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